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8 Mile
(2002) |
6.5
/10 |
A semi-autobiographical account of
Detroit rap scene in mid 90's, this is essentially a 2 hour
promotional device for Eminem, now an official entertainment
phenomenon. Can he act? Basically, showing a range from OK to decent,
although the "I'm a pissed white guy in the ghetto" scowl gets old.
Rest of cast is all right, with Mekhi Phifer strong as Em's best
friend. Follows old yet proven 'come from behind' formula, but grimy
city lifestyle is tiring more than inspiring.
[English, 110min, R] |
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13 Conversations About One Thing
(2002) |
8 /10 |
Thought
provoking character driven film, dealing with finding happiness in
life and uncontrollable circumstances one must deal with. Well acted
across the board by the likes of Alan Arkin and John Turturro, with
career standout role from McConaughey.
[English, 104min, R] |
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21 Grams
(2003) |
9
/10 |
Emotionally
devastating character drama with stunning, powerhouse performances
from trio of Penn, Watts, and Del Toro. Shattered chronology is
initially disorienting but eventually lends itself to narrative
momentum. Multiple vantage points of pivotal car accident are used to
maximum effect, especially disarming hospital scene. Excellent meditation on loss, love, and guilt, even as raw anguish
occasionally threatens to suffocate story (and viewer).
[English, 124min, R] 5/09 |
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24 Hour Party People
(2002) |
6
/10 |
Docudrama
focusing on emergence of 80's music scene in England is an exercise in
excess from the rapid fire blur of images to it's extreme
self-reference, although highly sporadic zaniness leads to some
wonderful comedic scenes. Steve Coogan rises above it all as the utterly believable protagonist with an underdog
charm. [English,
117min, R] |
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25th Hour
(2002) |
6
/10 |
Spike
Lee brings usual heavy handed directing, attempting to fuse commentary
on post-911 NYC with bleak countdown to busted drug dealer’s
incarceration. Norton under whelms in bad-boy-lite mode, Hoffman adds
another self-conscious introvert, but Barry Pepper rolls up his
dramatic sleeves for a career best. Lee misses potential of timely
subject matter, yanking film in too many directions despite powerful
stand alone moments of style and substance.
[English, 135min,
R] |
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40 Days and 40 Nights
(2002) |
6
/10 |
Entertaining
sex comedy, with focus more on heart than humor. Josh Hartnett
is very likable and has good chemistry with Sossamon, but film doesn't exactly
break new ground...unless you count a feather induced orgasm.
[English,
96min, R] |
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40 Year Old Virgin
(2005) |
6 /10 |
Well, it
ain’t Wedding Crashers. Steve Carrel has a number of laugh out
loud moments as titular character but plot drowns in sweetness,
especially once Catherine Keener is introduced as love interest.
Supporting cast shines, with Paul Rudd’s “don’t give a (bleep)”
attitude often stealing scenes, especially his ex-girlfriend subplot.
Ultimately an entertaining watch, though a much shorter length and
rougher edge would have helped considerably.
[English,
116min, R] |
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48 Hrs.
(1982) |
7 /10 |
Years before
Lethal Weapon, and over a decade before Rush Hour there was this
“buddy” cop movie that paired the unlikely duo of Nick Nolte and Eddie
Murphy. Much grittier territory than genre enters today, with racism,
brutal murder, and mean spirited attitude at the forefront. Became
Murphy’s breakout movie, and rightfully so, as his wise-crackin’ con
energizes a fairly predictable plot; his interrogation of a redneck
bar alone is worth price of admission.
[English,
96min, R] |
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2001: A Space Odyssey
(1968) |
10
/10 |
Kubrick's
unequivocal sci-fi masterpiece is a heady, claustrophobic exploration
of deep space and the human psyche. Unforgettable images (the infamous
“flying bone” shot among many), remarkable special FX, and arguably
the most effective depiction of artificial intelligence committed to
film. Second best character next to HAL is the ominous black Monolith
- surprisingly unnerving for a non-descript, inanimate object.
Third act can be frustratingly cryptic but reveals itself with some
patience.
[English, 148min,
G] |
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