Rashômon  (1950)      

9 /10

Unprecedented cinematic story structure tells intimate tragedy from different view points in contradicting flashbacks. Frantic acting during dialogue scarce dramatic segments leads to moments of fevered intensity (Machiko Kyo's Jekyll/Hyde role a stand out), complimented by uniquely composed interrogation scenes. Deep forest terrain is perfectly captured with sweeping dolling movements and skyward angles of tree obscured sun.  [Japanese, 88min, PG-13]

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Read My Lips  (2002)      

7 /10

Unique mix of character study and thriller; a deaf woman searching for her sexuality finds excitement with a recent ex-con still active in crime. Makes strong use of hearing disability stylistically, at times muting nearly all sound to give audience perspective. Contains curious subplot disconnected from rest of story.  [French, 115min, R]

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Re-Animator  (1985)      

6 /10

B-movie horror lunacy from the golden era of practical make-up effects, has "mad scientist" Med student perfecting an anti-death vaccine with horrific results. Hammy approach prevents premise from achieving any real sophistication, but conviction in taking material to the limit makes for quirky entertainment, especially during ferocious undead human attacks or beheaded evil professor. Botched lab experiment finale ends movie on gore filled exclamation point.  [English, 95min, R]

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The Recruit  (2003)      

4.5 /10

Strictly by the numbers spy "thriller" confirms Pacino’s taking too many classes at The DeNiro School of Phoning in Performances. Features not one, but two unexplained code-named computer programs, a CIA training facility with video game mentality, and a predictable "questioning reality" plot done infinitely better elsewhere (ex: The Game). Colin Farrell, intense eyes and all, still struggles to find a role equal to impressive breakthrough in Tigerland.  [English, 115min, PG-13]

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Red Dragon  (2002)      

6.5 /10

Ratner makes smooth segue way into darker territory with this decently made, ultimately unnecessary prequel. Norton (in a near miscast) is acceptable but nowhere near level of previous work. Fiennes does what he can in "underdeveloped-land," and Hopkins is virtually a parody of himself (albeit an entertaining one). Far fetched ending is something out of a slasher movie.  [English, 124min, R]

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The Red Violin  (1998)      

9 /10

Thoroughly engrossing tale centered on the life of extraordinary titular instrument, sprawling across numerous time periods, countries, and relationships. Epic journey has ambition to spare, supported by excellent production value, a highly diverse cast, and a slowly unraveling  mystery of extraordinary intrigue.  [Various, 131min, R]

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The Ref  (1994)            

8 /10

Whacky holiday tale with married couple held hostage by fugitive burglar. Bounces back and forth from comedy to drama well (if not a little too much) and Denis Leary is fun in one of his better film roles.  [English, 93min, R]

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Reign of Fire  (2002)            

5.5 /10

Mad Max meets dragon fantasy in this disappointing apocalyptic tale. Takes itself too seriously for B-movie fun; special effects range from spectacular to shabby. Sky diving sequence only hints at thrill ride movie could have been. Bale and McConaughey (obviously having fun in over-the-top role) fair well considering underwritten roles.   [English, 101min, PG-13]

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The Ring  (2002)            

8.5 /10

Has underdeveloped characters, unanswered questions, and pacing issues in the second half, but when the scares come...holy (bleep). Without a doubt the most effective American horror movie since the genres hay day in the 70's and 80's. Takes it's intriguing premise of a cursed video tape so serious that even the most outlandish scenes have a grounded quality. TV static has never been so menacing!   [English, 115min, PG-13]

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Ringu  (1998)            

7.5 /10

Smash horror hit from Japan builds some shiver inducing scares with it’s anti-technology themed ghost story, though larger budget American remake is far superior in realizing shock potential (especially during startling climax). Some plot decisions are stronger here, mostly those concerning character development, handling of supernatural elements, and clarity of  "cursed tape" mystery. Both versions overcomplicate story explanation in second half.  [Japanese, 96min, NR]

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Road To Perdition (2002)            

8.5 /10

So exceptionally well made and containing so many good performances (Newman stands out, Hanks is darker than ever, Law is effectively creepy) that it is easy to overlook rather simplistic story line and underdeveloped characters. Contains some of the most awe inspiring cinematography in years.  [English, 117min, R]

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RocknRolla  (2008)            

6 /10

Guy Ritchie took a highly publicized tumble from grace after the slick one-two punch of Lock, Stock and Snatch launched his career. While latest crime yarn isn't a clear-cut return to form, it certainly has its moments: a delightfully awkward party dance, Newton and Butler's lightening-quick sex scene, or the comically drawn out heist chase. But unlike his earlier work that thrived off puzzle-box plots, this effort is hampered by episodic narrative, fuzzy characters, and an anti-climax that inexplicably banks on a sequel.  [English, 114min, R]

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The Royal Tenenbaums  (2001)            

9 /10

Wes Anderson continues to impress but it will be tough to top this excellent, thoroughly refreshing take on a dysfunctional family. All star cast capture their flawed characters perfectly, especially Hackman.  [English, 109min, R]

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The Rules of Attraction  (2002)            

8.5 /10

Wow! This dark teen comedy is an absolutely invigorating film experience, changing tone with the energy of microwaved tin foil. Van Der Beek torches his Dawson persona as a grade A charismatic a-hole; a career best. All others fair well, but it’s Russell Sams who chews up his short hilarious scenes like a rabid dog on speed. Real star is hyperactive camera work and editing, that, along with an 80’s pop soundtrack, lead to moments of cinematic brilliance.  [English, 110min, R]

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