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Jackass: The Movie
(2002) |
0.5
/10 |
Due to a sold
out promo screening to
8-Mile, I was able to see this free of charge (the
only way I'd see it). Putting "movie" in the title is an immense
disrespect to legitimate filmmakers everywhere. For the pessimists in society,
the fact that THIS was put into theaters and managed to make millions is proof
that ANYTHING is possible.
[English,
87min, R] |
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Jay and Silent Bob Strike Back
(2001) |
5 /10 |
More like
Jay and Silent Bob in This Is Completely Stupid. Cult-favorite Kevin
Smith follows up his most clever and successful
effort yet (in Dogma) with a lowest common denominator comedy that
spot-lights his two least compelling characters (who, for the record, had no
business appearing in Chasing Amy). Attempt at
View
Askewniverse "best-of"
feels forced though insider jabs at Hollywood connect.
[English, 104min, R] |
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The Jerk
(1979) |
7
/10 |
Steve Martin's breakout film has some funny moments for sure, although ridiculously
moronic humor overwhelms
the more clever jokes. Often quoted "All I need..." scene is arguably
the highlight (bedside "week" conversation is a close second), but laughs also
stem from the absurd Opti-Grab invention and its comically tragic consequences.
[English,
94min, R] |
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Jesus' Son
(1999) |
6.5
/10 |
Yet another drug addiction movie with great performance by Billly Crudup,
excellent supporting cast, and creative storytelling, but at the end of the
day, a well
made, been-there-done-that downward spiral kind of movie.
[English, 107min, R] |
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John Q
(2002) |
3
/10 |
What a mess! Sets a new standard for defying plausibility with a laughable and
manipulative plot desperately trying to be a GOOD hostage film. Denzel has got
to find material that more consistently matches his acting ability ASAP.
Attempts at providing social commentary on US health care system are pathetic,
helped little by stereotyped characters with actions that are frequently
plain stupid.
[English, 116min,
PG-13] |
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Joy Ride
(2001) |
7.5
/10 |
Paul Walker went from racing cars fast'n'furious, to racing FROM cars in
this 2000's update to the Spielberg classic Duel. One of the more
successful suspense/horror films of past two years, thanks to something
sorely lacking in genre: restraint. Time is allowed for anonymous truck
driver Rusty Nails to develop into a menacing presence, leading to intense
cat'n'mouse exchanges that milk character's paranoia (motel room scene plays
off sound to great effect). Ambiguous resolution takes the high road.
[English, 97min, R] |
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